The NECRWA conference was a wonderful mix of inspiring workshops, hilarious speakers, fun-filled schmoozing, and debates about Nora Roberts (Vicki and Kate, I promise to read a Nora trilogy ASAP). The highlight of the weekend was the presentation of the Goldrick Award. This award recognizes one NEC member who has gone beyond the call of duty for our chapter. I am thrilled to announce that our very own Tara Truesdale won this prestigious award on Saturday. Jessica Smith wrote an amazing tribute to Tara, which our president Cindy Gregory read in front of all the attendees. Here is Jessica's lovely tribute to Tara, which brought me to tears....
Monday, March 29, 2010
Tara's Turn To Shine!
The NECRWA conference was a wonderful mix of inspiring workshops, hilarious speakers, fun-filled schmoozing, and debates about Nora Roberts (Vicki and Kate, I promise to read a Nora trilogy ASAP). The highlight of the weekend was the presentation of the Goldrick Award. This award recognizes one NEC member who has gone beyond the call of duty for our chapter. I am thrilled to announce that our very own Tara Truesdale won this prestigious award on Saturday. Jessica Smith wrote an amazing tribute to Tara, which our president Cindy Gregory read in front of all the attendees. Here is Jessica's lovely tribute to Tara, which brought me to tears....
Wednesday, March 17, 2010
Life Lessons from a Dog
I belong in a book group, and once in awhile the group's selection is one I would not pick up on my own. Last month's choice was The Art of Racing in the Rain by Garth Stein. It is the story of Denny Swift who is trying to become a professional racing car driver, and it is written from the point of view of his dog, Enzo (seriously). I had little interest in a dog's narration, and I have blogged about my illiteracy with cars. This book was not for me, so it was with pleasant surprise that I found myself falling in love with it. Go figure.
Tuesday, March 9, 2010
Learning My Lessons
Of course, lucky for me, I am neither of those things and while I can see how someone might freak, I'm DIGGING IT! First, my editor rocks and couldn't have been nicer about the edits. She actually says please in some of her comments. I mean, not that The Quirks aren't the most super-nice women on earth, but they kick my ass a lot harder for some of the same sorts of mistakes.
Now, I'm sure it helps that I agree with just about all of the edits. And frankly, even those few I'm not 100% sure about, I'm willing to make the changes because this woman gave me - a newbie with no previously published stories - a chance and I'm content to defer to her considerable expertise. The learning experience on this is awesome. I can think of 10 things off the top of my head that I will know going forward and that will make future edits (a girl can dream, right) all the easier. These same things will be in my mind when I edit other Quirk's manuscripts, so I feel like I'll be a better Quirky Lady when it's all said and done, too. Sweet!
So really, in case you can't tell, the process has been going well. My first hiccup in the process was last night, when I tackled those darn story edits (I did line and quick/one sentence kind of edits first). Again, my editor is totally right - the sex scenes need more emotion, and are vastly improved by knowing more about what the characters are feeling. And because I know I'm improving my story, I'm motivated and excited to be doing it. The issue is that I'm constantly questioning myself. Does she want me to drop in a word, or a phrase, or even a new paragraph? Should I be going back to build in what she wants through out the sex scenes, some of which are 10+ pages long? Or is she going to freak when she sees all those edits at this point? Am I doing too much? Too little? Am I spinning myself in circles worrying about it? (Answer to the last question: YES)
Ultimately, I decided last night that the goal is to produce the best book possible for the readers, for myself, and for my publisher, who would like it if I sold lots and lots of copies to those happy readers. Based on this unified goal, I tried to limit my edits to what my editor asked for, and in some cases this did mean I had to back and layer in the emotion for the whole scene. I don't think she'll disagree and I'm really hoping she'll be pleased with the end result.
And if she isn't? First, I'll thank God for the "Reject Changes" button. Then I'll remind myself it's another learning experience to take to heart and into my next editing process. (A girl can dream, right?)