Interview and Giveaway with Author Ella Drake!

Interview and Giveaway with Ella Drake!

Penny: Welcome to The Quirky Ladies, Ella! I am so glad you're here today. I have really enjoyed reading two of your sci fi/romances, Jaq's Harp and Silver Bound.  Science fiction and romance do not seem like a complementary pairing. Sort of like wearing combat boots with a couture dress. What are your feelings about this quirky sub-genre? How difficult is it to weave sci fi details and romance together in one story?

Ella: It’s not difficult. For me, it’s a natural. No matter where people are, what their setting, there’s a fundamental drive to have relationships whether familial, platonic friendship, or romantic, it’s part of being human. Put a bunch of people on a space station, they’ll form connections. They’ll gossip. They’ll fight. They’ll have sex in the virtual reality room!

Penny: I love stories that put a funky new twist on an old legend or fairy tale. (Can you say Santa Claus? hee hee) Jaq's Harp is a cool futuristic twist on the legend of Jack and the Beanstalk. How did you come up with this awesome idea and what were your sources of inspiration for the bioengineered plants? Did it ever occur to you to make the plants more insidious? I like how the human characters are still the main source of good and evil in this story; there is a satisfying sense of temporal universality of basic human good and evil. Regardless of our technological advances, we will always be the source of our own demise. Very cool.

Ella: The idea came from reading the original fairy tale to my kids and the resulting discussion of why in the world was Jack the good guy? He was poor, sure, but did that give him the right to climb up a beanstalk to steal from a giant and then kill that giant? From there, it was my own imagination taking it to “what if” and wondering what would make it okay for someone to climb up to a castle (mansion) in the sky to steal something. Of course, stealing to make things better, to stop the bad guys, wasn’t too big a stretch. And believing the giant was a bad guy in the original helped, so of course, in my story, the giant would have to be bad. It’d a big game of if this happened, then this might… The beanstalk came from wanting to make the story futuristic but not magic based, so the plant had to be science based. Never occurred to me to make the stalk insidious but that does open interesting possibilities! But yeah, it all comes down to good guys and bad guys in the end, or maybe misguided guys.

Penny: Could you tell us about some of your favorite sci fi stories (books/movies/TV shows, anything) and what premises really appeal to you? Who are your favorite sci fi villains? heroes? (My all-time favorite heroine is Ripley from Aliens...she is the ultimate feminist kick-ass heroine.)

Ella: Ripley is right up there! She’s a fantastic character. A premise that has always appealed to me is the one in The Abyss. The idea that there’s unexplored territory down below the oceans. That movie has a strong heroine lead as well. I think James Cameron knows how to write a heroine. Ripley (Aliens 2), Lindsey Brigman (The Abyss), Neytiri (Avatar), Max (Dark Angel), Mace (Strange Days), Helen Tasker (True Lies) and Sarah Connor (Terminator is one of my favorite movies, though not so much into T 2&3). Basically, Cameron’s entire body of work.

Oh, oops. I got off on a tangent about kick-ass heroines. Who can blame me?

My favorite scifi villain has to be Dark Vader, as he was in the first original Star Wars movie. He was such a scary character when he was first introduced. And of course, my favorite hero is Han Solo. Of course.

Penny: Oh, I totally LOVE the movie The Abyss. Good one! I also love the original Terminator...it's a great sci fi love story, and Sarah Connor is a fabulous heroine...especially her transformation from sweet, regular gal into kick-ass warrior. Nice choice.

What is your writing process like? Do you plot everything out ahead of time? Pants it? Do your stories and/or characters ever surprise you? Do you have a tough time adding in the "spicy" parts, or is that an integral part of the story?

Ella: I’m in-between plotting and pantsing. I usually have an idea, write somewhere between a chapter and three by pantsing it, then I stop and do a rough outline. This outline is generally a bullet list of something like ten points of where I want to go. When I write short, I may only have an idea of where I need to go to get to the end and one or two points to get there. The spicy parts aren’t difficult for me. I think mostly because when I start a story, I already know how much of the spicy the story needs. Some need more than others. I don’t force it there if it doesn’t need to be. The growth of the characters and their relationship are the driving force behind those scenes.

Penny: How difficult is it to write a satisfying story when the word count is low? Do you approach it differently than writing a full-length manuscript? As a reviewer, I find some short stories incredibly satisfying, like an "amuse bouche"--a quickie taste of something wonderful. Other quickies leave you feeling unsatisfied, and wishing the story had been longer. How do you circumvent this problem as a writer?

Ella: Writing short to me means sticking to the barebones essential conflict. Usually this means a minimal of secondary characters, though that can be done if the story needs it. It means dealing with a plot that can be resolved satisfactorily in the space available. It also means paying close attention to pacing. Most importantly, the ending becomes crucial. The close of the story can’t be too abrupt or the reader will feel like they’ve been left hanging. And that ending needs to feel substantial, whether everything is resolved or not.

Penny: Are you planning sequels for any of your books? What projects are you working on now? Is sci/fi romance your favorite genre, or are you jonesing for something different?

Ella: I am planning sequels to both of the stories you’ve mentioned. I’m almost done with a prequel for Silver Bound and I’ve planned a story that takes place after the events of Silver Bound. I’ve also finished the next story in the world of Jaq’s Harp. Hopefully I’ll have more news on that one soon. Sci-fi and paranormal romance are my favorite genres, but I also love historical romance and there are a select few contemporary authors I follow and snap up their new releases like candy.

Penny: Since you're on The Quirky Ladies blog, I have to ask....what's quirky about Ella Drake? Do you have a favorite quirky book/movie/music/food?

Ella: Not sure why, but the first thing that popped into my head with that question was a quirky book that’s one of my favorites, The Eyre Affair by Jasper Fford, which in round-about way reminds me of The Crying of Lot 49 by Thomas Pynchon. That brings me to Sirens of Titan by Kurt Vonnegut. These three novels are some of my favorites of all time, which is amazing since I mostly love and stick to Romance. But when I read outside of Romance, I love to read books that are a bit quirky. All three of these have what I’d call speculative elements. I guess there’s a bit of a theme, there.

Quirky food. I’ve loved this since I was a kid: Take a small bottle of Coke (it has to be a bottle) and pour a packet of salty roasted peanuts in it & drink/eat!

Penny: Those books sound cool. And your quirky food sounds....well....quirky. I'm not sure I could eat that!

Ella, thanks so much for hanging out with The Quirky Ladies today. 

We'll be giving away one copy of Jaq's Harp to a random commenter. Just tell Ella who your favorite kick-ass heroine is!

PURCHASE LINK FOR JAQ'S HARP

Ella's Website

Ella's Blog

Facebook

Twitter

eHarlequin author page

Bio: As a child Ella read books under the covers with a flashlight. There she found a special love of elves, dragons, and knights. Now that she's found her own knight in shining armor and happily ever after, she loves to write tales of fantasy, hot enough to scorch the sheets. No flashlight needed.

Ella writes dark paranormal and science fiction romance. She loves to talk with readers and can be found most days on Twitter, Facebook, & Goodreads. She can also be found on her website and her eHarlequin author page.

Blurb:

Jaq’s Harp

Futuristic Romance/Twisted Fairytale/Biopunk -- Short (ebook)

In a world of floating islands and bio-engineered beans, the bad guys are taken down by agents of the Mother organization—agents like Jacqueline “Jaq” Robinson. Instead of accepting her next routine assignment, she sets out on a mission of her own—to destroy Giant Corp, the company responsible for her sister’s wasting illness. Jaq must steal her cure from Giant’s headquarters high above the city…even though she’ll be brought face-to-face with Harper English, the man who left her to go deep undercover at Giant.

For Harp, Jaq had been a distraction the mercenary thought he couldn’t afford. But once he sees her again, Harp knows he’s made a mistake. Even though she vowed he won’t have her again, it’s clear they still have a powerful attraction. Harp’s determined to get a second chance with Jaq—if they can escape Giant Corp and get back to solid ground in one piece…

Please visit her website to read an excerpt of this fantastic story!

Interview with Jessica Andersen

THIS JUST IN!! Stay tuned at the end of this interview for a first-time ever post of an excerpt from Jessica Andersen's upcoming FINAL PROPHECY book, SKYKEEPERS!!

The Quirky Ladies are honored to welcome award-winning author, Dr. Jessica Andersen. It’s a little known fact that Doc Jess, as she’s affectionately known to both friends and fans, got her start with a mini-mag publisher before moving to 5-Star Publishing, Harlequin, and now NAL.

All of this has required tremendous effort and dedication, a prolific mind, and a keen grasp of the industry, including designing the best website I have ever seen. Seriously. Visit http://www.jessicaandersen.com/ if you’ve been hiding under a rock and haven’t seen it yet. You can click on the link right here on the Quirky sight, under favorite authors.

Read on for her fabulous interview, and don’t forget to comment to be entered to win a copy of (either) DAWNKEEPERS, NIGHTKEEPERS, or a preordered copy of SKYKEEPERS, which will be available on Aug. 4, 2009! A second, very special contest has been added to the end of this interview, and you won’t want to miss out.

So, without further ado, The Quirky Ladies are proud to welcome Dr. Jessica Andersen…

Dalton Diaz (DD): Let’s start with the FINAL PROPHECY series. To tell these stories, you’ve had to build worlds that exist on three realms: What the Mayans believed happened all those years ago, a god realm that the Nightkeepers jump to (where even they don’t know what will happen), and the contemporary realm where the year 2012 is fast approaching. The research involved is mind-boggling! How long did it take before you were actually ready to begin writing? Did you ever get caught off guard by a halting detail and have to rethink your path with any characters, or use a different god?

Doc Jess (JA): Geez, nothing like jumping into the tough stuff, huh? LOL! Okay, here goes… The research that goes into these books is huge, because I want to be as consistent as I possibly can with the historical record when it comes to the Maya-based rituals, glyphs and artifacts (just check out the ‘references’ link on the website for a taste). Lucky for me, I’ve always been fascinated with ancient cultures, particularly the Maya, which means that the info-gathering part has become as much a hobby as it is work. Time-wise, the research is sort of always continuing alongside the writing… but the initial ‘let’s go build a world’ process took about eighteen months from when I first tripped over the 12/21/2012 end date (and the idea that Maya rituals were tied up in both blood sacrifice and sexual intercourse- rwowr!) to when I turned in the full manuscript for NIGHTKEEPERS.

As for getting caught off guard, it happens All The Time! In some cases, I’ll be writing in one direction, get to a turning point and realize I’ve foreshadowed things so much that I’m bored with the planned plot twist, so I sit there and ask myself, “Okay… so what else could happen?” More often, now that the characters and stories have really taken on a life of their own for me, I’ll be writing along, thinking one thing is going to happen, and the story goes in a completely different direction on me. That’s when I know the book has really come together and gone organic on me- when I’m just channeling the words onto the screen.

(DD): Which is why I'm always on the edge of my seat while reading them! Speaking of the, er, sacrificial sex, NIGHTKEEPERS introduced most of the characters, but the romance aspect focuses on Strike and Leah. DAWNKEEPERS moves us forward with the prophecy and the characters, and the romance aspect focuses on Nate and Alexis. SKYKEEPERS…? Well, you follow my train of thought, and inquiring minds want to know! If you can’t divulge who gets to call out to the gods in ecstasy, can you tell us when and where this info will be divulged?

(JA): Weeeeelllll… okay. I’ll talk. SKYKEEPERS is a little different in that it focuses on two characters we haven’t seen much of in the prior books. The hero is Michael Stone, an enigmatic loner-type who joined the Nightkeepers in the first book but has only just started coming into his own as a mage (and gets into an (imho) very sexy fight with Nate in DAWNKEEPERS). He’s very sensually motivated and has a seriously dark past. Partly seeking to atone for his sins, partly because he’s become obsessed by her photos, Michael sets off to rescue Sasha Ledbetter from the Nightkeepers’ enemies. Sasha is the daughter of a famous Mayanist who might also have been a lost Nightkeeper. She is the Nightkeepers’ only remaining hope of finding a vital cache of codices and artifacts that was hidden by her father. When she and Michael team up, sparks fly because although the gods might have meant them to be destined mates, Michael and Sasha have very different ideas!

(DD): I loved that scene! The testosterone was off the charts! Let's step back to the human world for a minute while I fan myself. You’re also still writing for the Harlequin Intrigue line, with book number 20, Snowed In with the Boss, just released this month. Congratulations! Are there more Harlequin books planned in the immediate future? You know, before 2012?

(JA): Absolutely yes! This past October, I kicked off a second miniseries set in the Bear Claw Creek crime lab, with MANHUNT IN THE WILD WEST. (Or, as I typo-ed it in an email to my editor, ‘Manhung in the Wild West’… which quickly became ‘Well Hung in the Wild West.’ LOL!) The second and third books in that miniseries are coming up, with MOUNTAIN INVESTIGATION in July 2009, and the conclusion (yet untitled, because I stink at titles and turned it in as ‘Intrigue #22’) in October 2009. There are some additional Harlequin projects being kicked around for 2010 and beyond, so stay tuned!

(DD): Now something for the writers among us. You are a huge supporter of aspiring authors. I’ve seen this firsthand at the New England Chapter conference, when you began revising pitches with anyone who asked for help. Word got out, and before you knew it, there was a line in the lobby until two a.m.! You now run a pitching clinic called Surviving the Editor/Agent Appt. at the New England Chapter Conference, and this year you are also the featured luncheon speaker. Can you tell us a little about that?

(JA): I’d love to! This will be my tenth New England Chapter Conference, and in a way they’ve marked my milestones. I went to my first one right after I finished my first manuscript; I was wearing my job interview suit and was so nervous I could barely breathe! I spent six minutes of my eight-minute pitch describing the hero in great detail, whereupon the incredibly kindhearted editor interrupted me, asked a couple of questions, and gave me her card to submit the story. She forwarded it to an editor in the appropriate line (Intrigue, as it happens), who sent me back a revise-and-resubmit letter that taught me things about romantic suspense that I still keep in mind today (e.g., keep coincidences to an absolute minimum!).

That particular story was rejected, and it took me another couple of years before I got The Call … but that, too, was because of the New England conference. In fact, in the spring of 2002 I sold three stories to three different publishers (Harlequin, Avalon and Five Star), all through pitches I had given to editors at the NEC conferences of ’01 and ’02. I was on my way! This was largely thanks to the incredible support I found through the New England Chapter, where I met some truly fabulous authors who have always been there for help and advice. When I tried to thank one of these ladies at one point, she said simply, “Pay it forward.” So that’s what I try to do.

I remember my first conference, my first pitch, my first sale… and I can’t tell you how much I love getting emails every now and then, letting me know that an author has sold a story based on a pitch we once workshopped at the NEC conference. So yep, I’ll be there, sitting in the bar on Friday night after dinner, running pitches with anyone who needs some practice. Keep an eye out for me!

And finally, yes, I have the great honor of being the luncheon speaker this year, which is one of the things that’s made me look back on (eep!) a decade of NEC conferences. (That, and the note on my to-do list that says ‘write luncheon speech’- LOL!) I’ll be following some really tough acts (Pat Grasso’s tiara comes to mind), but even if my speech isn’t the cleverest or the funniest, or if I forget myself and drop an f-bomb (entirely possible), I know that whatever I end up saying (see to-do list, above), it’ll reflect back on how much I appreciate the support of my chapter members and the opportunities provided by the conference. And the chocolate, of course. And the free books. And the… well, you get the point.

(DD): So you’ll be featured and signing at the New England Chapter Conference, March 27th – 28th. Can you tell us about any other appearances on the agenda?

(JA): Hm…. next month I’ll be in Orlando (with you, Mz. DD!) at the Romantic Times Convention. In May I’ll be up in Maine at the MERWA Retreat, and then in July, it’s RWA National in DC, where JR Ward and I will be doing our ‘stand up at the front of the room and poke fun at each other whilst discussing critique partner relationships and paranormal worldbuilding’ workshop. Actual dates and specifics are posted on my website, stickied in the Forum.

(DD): That’s it for today, folks. Well, for the interview itself, anyway. As promised, keep reading for that first time posted anywhere excerpt from SKYKEEPERS! We are also running a very special contest here on the Quirky Ladies site. Just leave a comment by midnight on Sunday, 3/15/09 (EDT-aka, NY time!), and you will not only be entered to win a FINAL PROPHECY book of choice, you will also be entered to win an autographed copy of Jessica Anderson’s very first published story, the mini-mag titled, “The Shelter of My Heart.” No, we didn’t misspell Doc Jess’s name – the publisher did! They also slapped on a Victorian-ish cover (it’s a contemporary). Leave your comment to own this rare piece of history, available for all of a month in 2001 before the publisher shut down. If they’d only known the value of the gold they held right in their hands!

EXCERPT FROM SKYKEEPERS

Sasha awoke, blinking up into the light thrown down by an unshielded fluorescent tube. Something’s different, she thought. But a quick look around her said it wasn’t the scenery.
She was still in hell. It wasn’t the Christians’ fire-and-brimstone hell or her father’s nine-layered Mayan underworld of rivers and roads and monsters, though. No, this hell was one of cool, blank walls and a narrow cot in a ten-by-ten cell with gray walls, floor, and ceiling. This hell was being the prisoner of an enormous, green-eyed, chestnut-haired man who called himself Iago, but whom the others called “Master.”

Where is the library? his red-robed, forearm-tattooed interrogators asked her over and over again while drug-spiced smoke oozed from stone braziers carved into the shapes of screaming skulls. Each time, her muscles screamed protest at the crucified position they’d tied her in, roping her to a wooden cross that represented not the son of the Christians’ god, but the world tree of the Maya and Aztec, with its roots delving into hell, its branches reaching to the sky. Where did your father hide it? Sometimes they lashed her with stone-tipped flails that drew bloody, purple-black lines on her body. Other times they didn’t hit her at all, but rather somehow put her in agony without touching her, watching with avid eyes as she writhed and screamed.

She would’ve given anything to make the torture stop, but she couldn’t tell them what she didn’t know. She’d kept insisting that Ambrose had never told her anything about a library. They didn’t believe her, though, which meant that the cycle kept repeating over and over again—days of impotent, drugged fugue interspersed with pain and terror. She thought they might have moved her once or twice, but the details had blurred together, growing ever more distant as her mind insulated her consciousness from the reality her body was suffering. Each time the interrogators had opened the cell door, reality had receded further, her burgeoning fantasies coming clearer.

She knew the waking dreams were nothing more than illusions, constructs that her mind created for her as an escape. But she clung fiercely to the fantasies in her drugged stupor, because if her consciousness was wrapped in the dreams, she wasn’t aware of what was happening in the interrogation chamber. And that was a blessed relief.

Sometimes the fantasies brought her to a strange cave, a circular stone room that should have reminded her of the interrogation room and the horrors within it. But she wasn’t terrified in this chamber, wasn’t hurt. Instead, she was wildly aroused, wrapped around a big, powerful man with long, wavy dark hair and green eyes that reminded her of the pine forests up in Maine. In the dreams, she breathed him in, lost herself in his kiss, and felt, maybe for the first time in her life, like she was exactly where she belonged. Which was how she knew it was a fantasy, because Sasha had done many things in her life, but she’d never truly fit anywhere.

Other times the dreams brought her back to Boston, to the pretty, sun-filled studio apartment where she’d lived across the hall from a firefighter’s widow, an elderly ex–concert violinist named Ada, who’d become her friend. Sasha had cooked for her neighbor a few nights a week, gladly trading pumpkinseed dip and spicy barbecued shrimp for snippets of Bach and Mozart, and the knowledge that someone cared whether or not she made it home at night. Only she hadn’t made it home, had she? Instead she’d gone looking for Ambrose and wound up in hell, stuck there as her menstrual clock told her months passed, almost a year, while she lay dazed by drugs and hopelessness.

Except she wasn’t drugged or hopeless now. She felt sharp and energized for the first time in what seemed like forever.

Hardly daring to trust the sudden change, she sat up on her bunk and braced herself for the pain to hit. It didn’t. Instead, nerves and excitement and all sorts of other sharp, hot emotions poked through the numb confusion that had cloaked her for too long.

“What the hell is going on?” she asked, and jerked at the sound of her own voice, the alien clarity of words that weren’t drugged mumbles or throat-tearing screams.

Starting to shake now—with hope, with fear—she took stock. She was wearing the sturdy bush pants she’d had on when she’d been captured, along with a too-big navy sweatshirt she’d had for a while now, though she didn’t know who she’d gotten it from, or when. Her underwear, T-shirt, and socks were long gone to rags, her boots confiscated. All that was the same as it had been. The cuts on her palms, though, were new.

She stared at the shallow, scabbed-over slices as a hazy memory broke through. Had she dreamed of a brown-haired man bending over her with a serrated combat knife, his eyes flickering from hazel to luminous green and back again? If so, it was a new, less pleasant fantasy than the others, her imagination run amok. But no, she was positive he had been there; she had the scabs to prove it. Had he done something to neutralize the tranquilizers they’d been mixing in her food for so long? Or had the red-robes withdrawn the drugs for some reason, wanting her fully aware for whatever they had planned next?

But she wasn’t just awake; she felt damned good. Energy coursed through her, effervescent bubbles running in her veins, making her want to leap up and run, to scream with the mad exuberance of being alive. More, she was warm. Hot, even, and suddenly needy in a way she hadn’t been in a long, long time. Her heart pounded; her skin tingled. She thought of her dark-haired, green-eyed dream man, and ached for him, for the press of his flesh on hers.

Lifting her hands, she cupped her suddenly flushed cheeks, then let her fingertips drift down to skim across her collarbones and along her ribs. Surprise shuddered through her at the feel of smooth, toned flesh. Slowly, almost afraid to look, she lifted the hem of her sweatshirt so her eyes could confirm what her hands had found. Although it seemed impossible, the festering sores on her hips and shoulders had healed overnight, and the crosshatched welts, scabs and scars of the repeated whippings had faded from her skin. Her wasted flesh had been restored; her arms and legs were muscled, her butt and breasts rounded, as they had been before her captivity.
Stunned, she let the sweatshirt drop back down to cover her irrationally taut, toned stomach. Her head spun with disbelief, but not with drugs.

If she’d believed in miracles, she would’ve called it just that. How else could matching slashes on her palm cause her body to heal itself?

“Doesn’t matter,” she told herself as the embers of the strong woman she’d once been kindled to a low, guttering flame of determination. “Don’t waste whatever time you’ve got trying to figure out what’s going on. Just get your ass out of here.”

Rising from the narrow, blanketless cot, she stood for a moment, thrilling to the sense of balance and power that coursed through her, the awareness of her own body. She acutely felt the weight of her sweatshirt and pants, the press of the floor against the soles of her feet. In the back of her head there was a splash of fear that this was nothing more than another sort of torture, that Iago had given her back herself only to take the feeling away again. But on the heels of fear came determination. “If that’s your plan, you bastard, you’re going to regret it,” she said softly. “That’s a promise.”

For longer excerpts from the first two books please check out: http://www.jessicaandersen.com/extras/nightkeppers-exerpt/ and http://www.jessicaandersen.com/extras/dawnkeppers-exerpt/

WELCOME JOEY W. HILL!

The Quirkies extend a warm welcome this morning to Joey W. Hill. Joey is one of my very favorite authors and I was thrilled when she agreed to be our kick-off interview for Quirky Ladies blogs that highlight talented writers in the romance genre. Joey writes both contemporary and paranormal erotic romance and every time I read her I get lost falling deep into her eloquent, beautiful prose.

An added bonus, today is a release day for Joey. A Vampire's Claim, the third book in your vampire series that began with The Vampire Queen's Servant comes out today. To the left you can see the cover of the new release. Joey, you have been truly blessed by the cover art gods in this series. Each of the previous two were just as wonderful. And, readers, for stopping by and visiting with us during the interview, The Quirky Ladies will send one lucky commenter a copy of the new book.

Once again, welcome Joey. And let's get on with it, as I know your fans are chomping at the bit to hear from you.

Michelle Pressma (MP): To start off, can you tell us a little about A Vampire's Claim and what inspired your expansion from contemporary into paranormal erotic romance? How did you stumble into this vampire universe?

Joey W. Hill (JH): Lady Daniela and her servant Devlin (Danny and Dev) were a pure delight. They're a little different from my recent books. While there's always a streak of darkness in my paranormals (okay, often a really broad swathe), these two had the great Australian laid back attitude about things, so they met every challenge and setback with a matter-of-fact dry humor that was really enjoyable. The book also has way more physical action--guns and explosions and chases--and that was a lot of fun.

There's a blurb and excerpt on my site of course, but in a nutshell, Dev's a WWII veteran. The book is set in 1953, in the Outback. He's an experienced bushman who's resourceful enough to get a female vampire out of any trouble she can find, and Danny fits that bill. She's returned to the Outback after a 30 year hiatus to reclaim her sheep station from the scumbag who took it over after her mother died. After she does that, she also wants to challenge the psychotic Region Master for control of the territories, despite the fact she has no Council backing and she's considered rather young and inexperienced for such big goals, at the paltry age of 200. But Danny is very independent and her own woman. She hasn't even taken a fully marked servant, shying away from that kind of commitment. But when she and Dev cross paths in an Outback pub, he's too irresistible to pass up.

I've always vacillated between paranormal and erotic, with romance being a constant for both. My first published book was an epic fantasy, and my second was a contemporary erotic romance. If I look back through my publishing history, even when I was doing more contemporary erotic romance titles, I was occasionally delving into the paranormal. For instance, If Wishes Were Horses, was about a small town police chief and the local Wiccan priest who ran a women's erotica shop, and their attempt to solve a murder with a paranormal twist. Chuckle. It's why I started out in e-publishing. The cross genre authors (not to mention erotic romance!) were anathema to New York back then, and now they can't get enough of them. Just goes to show--always write the book of your heart, and if it's meant to be, eventually someone will want it! And don't quit your day job. ;>

Anyhow, I have always loved vampires. I was a Buffy fan, but when Angel left, I followed him to his series. Apparently the romantic vampire hero was my thing, though Buffy was a great heroine. Joss (who I worship), just went a little overboard on the angst thing for her after awhile. Which, given that my books are very angsty, is the pot calling the kettle black!! I've read vampire books, but they never really explored the eroticism and power exchanges between vampires and servants that I wanted to see. I think what piqued my interest was a key scene in one of the early Anita Blake books, where Richard was climbing out of Jean Claude's bed, after JC had spent a night with him, using him as food and possibly for other things. So one day, I got the idea for a 1000 year old vampire queen who needed a new servant, and the young man sent by her previous (now deceased) servant to fit that bill. Jacob and Lyssa's love story was a very memorable one to write. I've had enough readers ask about another story for them specifically that I think they'll eventually get it--as long as the publisher continues to be happy with the series, of course!

I guess I don't think too often about the demarcation between the paranormal and contemporary, because, to be frank, the muse leads me around by the nose. If my contemporary takes a sudden dive into paranormal waters, I assume that's where it was meant to go, and vice versa. While that has worked for me thus far, it has caused me a problem at least once. I have one story, the second in that epic fantasy series, that has not caught much interest because the first half of the book is almost purely historical romance. So a publisher or reader who is expecting paranormal is understandably baffled by 200 pages of historical romance, unless they've read the first book in the series. So while I don't write to trends, I do understand sometimes, if you can't rewrite, you have to shelve a project until the time is right for it.

MP: I agree that timing can be everything in finding a market for a book. And I am more excited than ever to read Danny and Dev's story now. What a fantastic setting and quite a treat for your readers to get more of a glimpse of the Down Under. As your most recent full length book releases have been the paranormals (A Mermaid's Kiss and A Witch's Beauty), are there particular challenges to switching between writing in different genres? I know you've blogged at your own site on the issue of pacing and the difficulties you've faced monitoring pacing differences between the contemporaries and paranormals. Are there other differences that challenge your writing process?

JH: Pacing is probably the biggest challenge. Paranormal does require more set up. I'd compare it to the pilot for a great TV series versus an ongoing episode. A lot of times, the pilot leaves us a little flat because we don't know the characters, we're not familiar with the setting or the storyline, and all those things have to be set up. That's a paranormal. We have to get the reader to the part where the characters start to live, and the plot draws them in, and yet still give them all the information they need to orient them to the world of mermaids, vampires, etc. It's tricky. For me, the characterization is everything. As soon as I possibly can, I want them to be center stage, because that's where the reader is going to connect.

Subject matter can also be an issue. In contemporaries, I'm known for doing complex explorations of emotional issues between two characters. Paranormal opened up the macrocosm issues--good vs evil, fate of the world, etc. and when that layer intertwines with the emotional issues between my characters, the book has more ground to cover. I have readers who enjoy both these genres, and readers who prefer one vs the other, depending on what's their cup of tea.

I'm going to sound like a broken record, but the main thing for me is staying true to the muse while keeping an open mind to feedback from readers, CP's and editors. When you write in two genres, as noted above, you'll lose some readers in the switch between them. You'll also gain some. Reviewers who loved your contemporary work may be "blah" about your paranormal, and vice versa. So keeping your eye on the ball, not being pulled into twenty different directions of self-doubt, is probably one of the biggest challenges of writing the two genres.

The one constant between the two is that there will always be a love story and a HEA. To me, there's no point to reading a book if it's going to leave you with the message "Life sucks and nobody gets what they want." Duh, do I really need a book to tell me that life isn't always fair? What, do I live in a plastic bubble in the land of Happy Happy Joy Joy? Convince me that sometimes things do work out. Give me some incredible obstacles, and then give me hope that those obstacles can be surmounted. That's a great book.

MP: I agree with you that leaving our readers with hope is the key to satisfying stories whether you write about emotionally intense issues between characters or the more macro issues of good versus evil. Hope is what keeps us going as a species. Speaking of which, what keeps you going as a writer? And where do you see yourself moving in the future? I know you have plans to continue on with both your paranormal series and your contemporary Nature of Desire series. Any new directions beyond that in the horizon?

JH: You're right. I've always believed that while, as a species, we're pretty screwed because we're way too self-centered and self-destructive, there is something bright and shining about the human spirit. There may be hope for us yet.;>

There are two parts to my answer on what keeps me going as a writer: what makes me write and what keeps me writing. The "what makes me write" part is pretty esoteric, but that doesn't make it any less real. I can't NOT write. When I'm writing, I find an inner space where things are right and balanced, at least for that moment in time. It's a sense of completion and tranquility that would be like losing a lung to abandon. For that reason, I suspect I'd write whether I had an audience of ten readers or ten million. But that leads to "what keeps me writing." The readers. And no, I'm not just blowing smoke up the proverbial backside. Writing, the artistic endeavor, is marvelous, for the reason stated above. Writing, the business,...Holy Major Deity of Your Choice. It's constant deadlines balanced with promo work, never having a real day off, first drafts followed by edits followed by print galleys followed by industry research followed by conference preparations followed by another deadline on top of a print galley that has to be turned in yesterday...er, you get the picture. In some ways, it's like going away to camp--grueling, stress-filled fun. But what makes all of that worth it, beyond the unshakable need to create a story, is the reader who takes the time to email me and say "This story made a difference in my life." Whether it gave them a valuable escape time, touched them emotionally because of things in their own lives, or inspired them in some creative endeavor of their own--wow, that NEVER, NEVER gets old.

There's also a second crucial element to "what keeps me writing." My husband. If you're married, you can't do "writing the business" + "writing the art" without the support of spouse. No one would take that much neglect of the marital relationship, not to mention anything remotely close to cleaning, laundry, cooking (snort), etc, if they didn't believe 100% that writing stories was what you needed to be doing. And for that, I owe so much of my success to my husband's love.

As far as future direction, you're correct. Right now the contracted future is Mermaid's Ransom (the next in the Daughter of Arianne series) and two more books in the vampire series, as well as a contribution to the second Unlaced anthology (tentatively called Unbound). Mermaid's Ransom will be about Jonah's daughter Anna, and the vampire Dark Spawn called Dante, that you all met in A Witch's Beauty. The two vampire books will focus on secondary characters from A Vampire's Claim, which you'll meet shortly if you've pre-ordered the book, which I'm sure you've done (grin). The anthology will be Peter's story from the Knights of the Board Room series.

However, in the uncontracted future...wow, there's a lot of things. I want to do another book about Jacob and Lyssa specifically, probably revolving around her new interaction with the Fae world. I want to do Gideon's story, Jacob's brother. For the Nature of Desire series, there are 3-4 sets of characters at least that want their stories told: Brendan and Chloe, Julie, Ellen, Rory and Daralyn, and who knows how many new characters THAT will introduce. There's another mermaid adventure to offer--Marcellus and Clara, who you'll meet in Mermaid's Ransom. And the Knights of the Board Room have two more boys who've not met the love of their lives yet, Jon and Ben.

Now, outside of my ongoing series, I have another male/male erotic romance I want to write. I also want to rework the epic fantasy book I mentioned earlier, bring it up to date, and try to pitch that series again. It will have five books, and will involve everything from high fantasy to paranormal contemporary settings to vampire elements. I continue to be excited about it, so I know it is meant to be, when the time is right.

While all of the above will fall in the paranormal or contemporary romance categories, there are a couple other projects I have that could branch into other areas. I have an idea for a young adult story, though I'm not entirely sure it would be marketed as a young adult, because it has to do with a young adult dealing with an innate D/s orientation, much the same way homosexual youth have to deal with that kind of issue. I also have a women's fiction book exploring a daughter's journey, perched on the wall of her family's life, but we'll see. Even in paranormal and erotic romance, I tend to dive deep (as I said earlier), to get to the heart of what and who we are. With those two stories, I might get completely lost and never be heard from again (wink).

MP: Whoa! I'm staggered to hear what's on your plate ahead. And tickled since I know that means years worth of your wonderful stories for me to enjoy. As we wrap up today, is there any last message you'd like to send to either your readers or fellow writers out there? Words of wisdom you've learned through your process?

JH: For readers--never hesitate to let an author know how you feel about their work, good or bad. The good helps to keep us going in the right direction, gives us necessary inspiration. The bad (meaning constructive bad, not just a vague "You suck!"- laughter) draws our attention to areas we can improve. If you have an author react negatively to such feedback, that's their mistake, not yours, no worries.

For writers--I always have the same three rules for success, if success as a writer is in Destiny's cards for you:

#1 Hone your craft. Never stop learning and improving it.

#2 Know the business, and stay on top of it as much as you can.

#3 Never give up.

Those three things seem to be the key to success for every successful author I've ever met (except for those absolute freaks of nature who happened to run into an agent or editor during their grocery shopping, wow'd them in the frozen food aisle and became world famous authors overnight--but those are like the people who wear size 0 clothing. We don't think they deserve to live--laughter). I also threw in the Destiny comment because being a successful author is very much like Forrest Gump described it--some planning, some feather in the wind. None of us know how much of each is needed, so all you can do is work your ass off on the planning part, which is those three things, and hope your feather lands on the nose of the right people. Until then, as Anne Lamott says (paraphrased), love writing, because that' s the most important thing.

MP: Well, Joey, our time's up for today, but I am so thankful that you were able to join us on the big release day. And I would encourage our readers to leave a comment for you with any questions or reflections. Remember, one reader who comments will win a copy of A Vampire's Claim. If you would rather not leave a contact email with your blog comment, please send your email address off line to neenvassar88@yahoo.com after responding. For everyone else who hasn't already pre-ordered the book, I'm sure you'll be visiting your favorite on-line or brick and mortar book store to pick up a copy today.

Also, I'd like to let everyone know that Joey W. Hill publishes an online monthly newsletter which includes contests for signed books and other great things, as well as occasional early peek excerpts on upcoming releases and vignettes featuring characters from her full length works. To join it, just send her an email at storywitch@ec.rr.com or go to the guestbook link on her site, http://www.storywitch.com/. You can also visit with her on her blog or Facebook page (Joey Woody Hill). Readers who want to talk with other readers about her work can join the yahoogroup http://groups.yahoo.com/group/fansofjoeywhill.

Thanks, everyone, for visiting today to read this fun interview. And let those questions for Joey roll.

Michelle